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 SPECIAL REPORTS
Sunday 14 September 2003

 

Chocolate may help preserve rain forests

By SUSANNE QUICK

Guapiles, Costa Rica - Preservation is one of the keys to a successful museum. Keeping animal hides safe from insect defilement, wicking moisture from precious texts and shielding oil paintings from temperature extremes are daily battles for any diligent curator.

But one Milwaukee Public Museum researcher thinks he has found a curiously novel way to preserve the institution's collections: He's going to make chocolate bars.

In so doing, he's hoping to preserve the biological diversity of Central American rain forests while keeping the museum's exhibits and mission fresh.

"If a museum doesn't evolve, it goes extinct," said Allen Young, senior vice president of academic affairs at the museum.

Making a connection between candy and conservation may sound contrived. But according to Young, the right kind of chocolate bar - such as the museum's soon-to-be-released Cacao de Vida - could help keep small farmers employed in Costa Rica while maintaining a native Central American crop.

If it succeeds, the dark chocolate candy bar could also go a long way in conserving the forested homes of many bird, mammal, insect and plant species - the raw material of the museum's collections.

"This is big for us," said Lisa Froemming, vice president for external affairs and advancement at the museum.

Museums often develop products based on their collections - posters, mugs and the like - but they rarely, if ever, develop a product based on research.

"It's the next step in bringing our mission from research into product," Froemming said. And in terms of conservation and economic impact in Costa Rica, "We're going to turn Allen's research into something that is so meaningful," she said.

Young's research into understanding how cacao grows and interacts with its environment is being funded by the U.S. Department of Agriculture. The chocolate-making enterprise is supported by the museum, and it will receive any profits from the effort. For all the good that might come from it, Froemming acknowledged, "We're not doing it out of charity."

That the museum has such an effort launched in Costa Rica is perhaps not coincidental. It already co-owns - with the Riveredge Nature Center in Newburg - the Tirimbina Rainforest Center in the Sarapiqui region of Costa Rica and coordinates a host of educational projects in the country. It may be the only public museum of its size in the United States with such a presence in another country.

A boon to animals

Cacao - the bean behind chocolate - is native to the Western Hemisphere. (Pronounced "ka-kow," it is often referred to as cocoa in the United States.) It originated in the Amazon basin and was domesticated throughout northern South America and Central America.

Unlike Central America's big cash crop, banana, the native cacao plant thrives in shade. This means that chocolate farms are often characterized by a variety of plants and trees: a boon to animals looking for varied habitat.

In addition, between 75% and 90% of the world's cacao farmers grow their trees on a small scale, according to the World Cocoa Foundation, a non-profit organization funded by the chocolate industry. Farmers plant cacao sporadically around their small, 5- to 10-acre plots amid a jumble of wild and agricultural plants using few or no pesticides, fungicides or herbicides - again, a boon to animals.

"For the most part, they can't afford them (chemicals). So, they tend not to use them," said Robert Steinberg, co-owner of Scharffen Berger Chocolate Maker, a premium chocolate producer based in Berkeley, Calif., and the company contracted to produce the museum's chocolate bar.

Between 1940 and 1970, cacao was Costa Rica's most important commercial crop, according to the International Cocoa Organization.

In the early 1960s, statistics from the United Nations' Food and Agricultural Organization show Costa Rica exported more than 10,000 metric tons of beans per year, making it one of the largest suppliers in the world.

But a two-punch assault - first from nature, then from humans - in the late 1970s deflated, then felled the market.

Today, chocolate is a negligible export in Costa Rica. In 1999, only 130 metric tons of cacao beans were exported, according to the International Cocoa Organization.

Young, and collaborators at the Milwaukee Public Museum and the University of Wisconsin-Madison, are hoping to revive the past. They'd like to persuade Costa Rican farmers to take on cacao again. And they're keeping their fingers crossed that providing a use for the cacao - in the form of a museum candy bar - will serve as the proverbial carrot on a stick.

"That's the idea," Young said.

Demise of an industry

To understand the museum's mission in Costa Rica, it's important first to understand why the cacao market faded so fast.

The blight "frosty pod," or monilia, was first seen in western Ecuador during the early 1920s, where it remained isolated for 50 years. With the creation of the trans-Andean pipeline in the early 1970s, the mountain barricade that had protected eastern Ecuador and South America was penetrated. It didn't take long for this fungal vagabond to steal a ride, surreptitiously hitchhiking on human heels and then waves of wind, to new land.

By the 1970s, the frigid grasp of monilia had extended its grip across northern South America and Central America, strangling thousands of tons of healthy, ripe football-sized cacao pods.

The pods looked as though they'd been suffocated under a white, shag carpet of mold. By the late 1970s, Costa Rica's crop had plummeted by 30%.

If this wasn't enough, West African nations such as the Ivory Coast, Ghana, Gambia and Nigeria were increasing their cocoa market by exploiting cheap labor - which some human rights organizations and newspaper reports suggested was akin to slave labor. Their product was flooding the markets.

That was a knockout blow to countries such as Costa Rica, where salaries were - and are - comparatively high for a developing nation. With Costa Ricans demanding a higher wage than their African and Southeast Asian rivals, chocolate from the region couldn't be sold at a competitive price.

"It was a combination of things" that did the Costa Rican market in, said Bill Guyton, president of the World Cocoa Foundation. "It was the economics (of competition), the fungus coming in and the price of land," which was skyrocketing out of reach for most independent, small-scale farmers.

So, farmers turned to banana. All they had to do was tear down chunks of forest and seed it with a monotonous sea of elongated yellow fruits.

By the early 1990s, more than 200 square miles of the country's lowland forest had been converted to banana, according to Carlos Hernandez, research director at EARTH University in Costa Rica. While that may not sound like a huge hunk of land, it constitutes more than one-twelfth of the tropical, lowland Caribbean area - the only land suitable for banana growth, and cacao for that matter.

For a country primarily dependent on tourists who come to see its wildlife and forests, razing trees for bananas was a concern, Hernandez said.

So, in 1993, the Costa Rican government, troubled about the expansion of banana plantations and the rapid rate of deforestation, got banana producers to sign an agreement promising "not to knock down any more primary forest and only expand into areas that are good for bananas," Hernandez said.

Today, about 115 square miles of Costa Rica's humid, lowland tropics are used for banana. And while most of the plantations belong to big companies, an increasing number of bananas are being sold by organic cooperatives to North American and European markets, Hernandez said.

The problem is that while growing bananas may make financial sense, many environmentalists, foresters and biologists would like to ensure that the plantations remain limited or, better still, that the land be converted to crops that are friendlier to the forest and its inhabitants.

Hence, the museum's call for small scale, sustainable cacao.

Planting the seeds

How to get farmers to turn to a crop with such a shaky past is the challenge facing Young and his team.

"We're trying to get them to incorporate cacao into their farms by growing it along with other crops" such as mango and papaya, said Chris Vaughan, a postdoctoral fellow in wildlife ecology at UW-Madison - and a member of the team. The idea is that a variety of crops will mean a farmer always has something to sell - even when chocolate prices are low.

But in order for any of this to happen, the Milwaukee Public Museum needed first to jump-start the market - to essentially help create a small system that would move bean to chocolate to consumer.

Young turned to Hugo Hermelink, a Dutch farmer in Costa Rica.

Hermelink's father had been producing chocolate beans for decades near Guapiles - a town in the lowland banana region.

In 1993, Hermelink's father died in an auto accident. Hermelink, who was training as a mechanical engineer in Holland, packed his belongings and moved to Costa Rica.

Within a matter of years, he had revamped his father's farm as only an engineer could do - introducing a pulley system to move the beans around the 3,700 acres and updating the bean-processing machinery.

Hermelink turned a failing, disease-ridden cacao farm into a self-sustaining operation, where the beans can be grown, harvested, shucked, fermented and processed on the premises. He also hired 16 workers to manage the agricultural aspects of the plantation. Each is in charge of two 10-acre plots. And over these plots, they have virtual autonomy.

"Those plots are basically their own to run," Hermelink said.

They are responsible for pruning, weeding, sanitation, harvesting and general upkeep. And in return, they are paid a handsome salary and provided a home.

Today, the Hermelink farm is the largest producer of cacao in the country, Young said.

Hermelink has been very careful about selecting and breeding cacao trees that show heightened resistance to frosty pod and other pathogens. And with the hands-on care his trees receive from his foremen, he has been able to maintain a working and productive plantation.

While buying cacao from Hermelink would seem to undermine the idea of the museum's chocolate bar - supplying small, independent farmers with a steady income for cacao, while stepping away from monoculture plantations - Young sees Hermelink as a necessary first step in this project.

Not only is Hermelink's farm going to be certified as organic next month, but if he is able to generate enough income from the museum's bar, he'll need to increase his supply, Young said.

And to do that, Young hopes he'll have to start buying beans from local farmers - sparking a cooperative cacao market in Costa Rica.

Already, meetings between Hermelink and farmers up and down the Caribbean coast of Costa Rica have begun in anticipation of selling chocolate to specialized niches of the North American and European markets.

The owners of Scharffen Berger, the California boutique company given the job of producing and packaging the museum's bar, are excited by the prospects.

"I like his (Hermelink's) social and environmental goals," said Steinberg, co-owner of the premium chocolate producer. "He's knowledgeable about the types of cacao, the genetic backgrounds and the process of fermentation."

And the fact that this bar is being produced in conjunction with a museum provides for an unprecedented opportunity to teach people about cacao - how it's processed and where it comes from, Steinberg said.

"I really admire what he is doing," Steinberg said of Young.

Cacao de Vida - literally, "Chocolate of Life" - is expected to be released at the end of the year in Milwaukee Public Museum shops (of which there are four in Milwaukee, two in Madison and one in Fish Creek), and museum officials are hoping that soon after, it will appear in specialty shops around the country.

Young envisions it wrapped in a foil that espouses the importance of sustainable cacao farming and educates the public about the biology of the cocoa tree.

Cacao "is a fascinating organism," Young said, and he hopes that by pleasing the taste buds of chocolate-loving museum-goers, he may be able to infect them with a similar enthusiasm.


 

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