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COLOMBIA:
Measuring the Cost of Paradise
by Cup Size
Helda
Martínez
BOGOTA, (IPS) - Setting a
telenovela ratings record in
Colombia, more than six million
viewers recently tuned in to an
episode of "Sin tetas no hay
paraíso", (Without Tits There's
no Paradise), barely two weeks
into the show's run. The record
means a lot to this country,
which has become one of the
world's leading exporters of
soap operas.
The series is adapted from the
best-selling novel of the same
name by Colombian author and
screenwriter Gustavo Bolívar,
which has printed four editions
in just over a year.
The producer chose well in
keeping the word "tetas" (tits)
in the name of the soap opera;
traditionally considered a
vulgar term for breasts, through
use it has become accepted by
all audiences.
The drama portrays young, pretty
and poor women who, seduced by
the illusory world of
easy-money, become prostitutes
to be able to pay for the large
breasts favoured by drug
dealers.
Bolívar based his work on the
realities he observed in a poor
neighbourhood of Pereira,
traditionally a coffee town and,
as of a few years ago, the
operations hub for a regional
cocaine-trafficking cartel.
"It broke my heart to see two
girls dedicating their lives to
getting a pair of silicone
breasts. I wanted to raise
awareness of the issue when they
told me thousands of stories of
people looking to break into the
drug-trafficking world which,
for these girls, represented
paradise," added Bolívar in an
interview with the private
Caracol channel, which produces
the show.
"I decided to write the book
when the girl, who is the
inspiration for the main
character, told me that the
doctor who did her breast
operation for free in return for
sex used a pair of used silicone
implants, which caused allergic
reactions and infections," he
added.
"The plot tries to draw
society's attention to two
phenomena that are more and more
common," Andrea Arce, a
journalist with Caracol, told
IPS. "First, the proliferation
of breast implants without the
required medical precautions
and, second, the plight of
'pre-paid girls', that is, when
lack of education, ignorance and
desire for money leads young
women to sell their bodies."
The station broadcasts the show
Monday to Friday, between 10 and
10:30 p.m., with a repeat of the
highlights from the week's five
episodes at 11 p.m. on Sunday.
The series will last 26
episodes.
The concept of "pre-paid girls"
involves a form of prostitution
that varies according to the
woman's socio-economic level. In
the poorest classes, the
difference from a traditional
sex worker is that the
around-the-clock sale of the
woman's body yields a much
higher income.
At higher social levels, such as
that of famous models or TV
hostesses, the concept of
"pre-pay" means a woman's
company is purchased for a set
period, such as a weekend, in
exchange for 100,000 dollars or
more.
The series was launched to a
flurry of controversy, providing
fodder for interviews, forums,
debates and accusations. The
beauty and youth of the young
characters, as well as the ease
and grace with which they played
their parts evoked sympathy and
approval from the audience,
which analysts interpreted as
naďve and dubious.
"It may be because we work hard
to do our job well and develop
our parts. We are spontaneous
and natural, like the girls that
fall into this, which they do
innocently, believing it will be
good for them and their
families," Sandra Beltrán, whose
character, Yéssica, procures
girls for the drug traffickers
or "traquetos", told IPS.
In the interview, Bolívar added
that "some people who have not
read the book say the show
defends drug traffickers. Of
course it doesn't. Those who
read the book and pay attention
to the series will realise that
I am clearly against the drug
cartels."
The controversy has spurred
interviews and clarifications.
"The message is directed towards
young girls, to help them
realise they should love
themselves and appreciate what
is natural. Or, if they decide
to go for the operation, not to
do it so young, without becoming
adequately informed about what
they are doing," added Beltrán.
The main character is
13-year-old Catalina. She comes
from a single-parent family
headed by her seamstress mother,
struggling to raise her two
children. The oldest, Bayron,
becomes a "sicario" (assassin)
for the drug traffickers.
Catalina is a high school
student who longs to be like her
classmates who leave in
luxurious SUVs with tinted
windows and come back the
following day with bags of
money.
But the "traquetos" are only
interested in girls with bra
sizes of at least 38 or 40, not
girls like her, who barely fill
a 32. To earn money for breast
surgery, Catalina decides to
sell her body in the sex trade.
Yéssica takes on the task of
"selling her" with such
disastrous results that the
"buyer", who has promised her
the operation, clothes, money
and even the possibility of a
car and apartment, makes a hasty
exit, faced with the persecution
of incorruptible officials.
So Catalina turns to
prostitution, which she refuses
to give up even for the true
love of her boyfriend Albeiro,
an independent, honest but poor
worker.
The TV series is generally a
good adaptation of the novel.
Catalina, after five operations
that take her to a size 40, with
serious impacts on her physical
and psychological health, loses
the will to live. Unable to kill
herself, she successfully
engineers a plot to die at the
age of 15.
Bolívar has written 1,400
screenplays for journalistic
programmes, TV series,
documentaries and films.
Some of his stand-out work
includes the 320-episode "Pandillas,
guerra y paz" (Gangs, War and
Peace); "Unidad investigativa"
(Investigative Unit), which
looks at real-life cases,
including the attacks on three
justice ministers in the 1990s;
and the dramatisation of the
assassination of three
presidential candidates and
football player Andrés Escobar.
"Without Tits There's no
Paradise" may hit the big
screen, pending negotiations
between the author and
producers, currently under way.
With the channel considering the
idea of a sequel, several people
have already asked that the
message content be reinforced,
to make the role of economic
interests clearer.
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